Vorrh: Nomads of the Infinite Wild


Vorrh is a dark-ambient band based in Baltimore, MD. Their debut album, Nomads of the Infinite Wild, was released in March 2018. Vorrh’s music gives off an earthy vibe and air of mystery. The songs uncoil into a vibrant soundscape–part forest, part desert–each one seamlessly flowing into the next. The guitar and vocal lines are matched in a steady dance, ghostly and shimmering. Its heaviness and fuzz are balanced by graceful, melodic subtlety. There is a lot of empty space here, used in the best way possible. Nomads of the Infinite Wild creates a mood and holds its listeners there. It’s calming drone is easy to be lost in.

For fans of: King Woman, Earth, Tool

Listen and download here: https://vorrh.bandcamp.com/


Vorrh: Nomads of the Infinite Wild

The Neuro Farm: Ghosts


The Neuro Farm is a four piece indie rock band based in Washington DC. Their second and latest release, Ghosts, is a seven song circuit through spacey darkness and attentive revelry. Their sound is layered beautifully with soaring violin and vocal harmonies and an intense, driving rhythm section. This is a group who understands that music is magic, and communicates it well. Simultaneously grounding and expanding, the feel of the record resonates deep within that place where we are “one purpose…one mind.”

For fans of: The Smashing Pumpkins, Chelsea Wolfe, Florence + The Machine

Listen and download here: https://theneurofarm.bandcamp.com/

Follow and find a list of The Neuro Farm’s upcoming shows here: https://www.facebook.com/theneurofarm


The Neuro Farm: Ghosts

Piramid Scheme: Get Rich Quick Too


Piramid Scheme is a garage glam rock band from Washington, DC. They recently released their first EP, a very dark and personal release that highlights innovative brilliance of Lisa Said. It’s reminiscent of of the proto-punk of the late 70s, but still  sounds contemporary and innovative.

This band is full of incredibly talented people. The songwriting and intricate guitar lines really stand out. It’s a very electric guitar driven EP. Get Rich Quick Too calls out a lot of people for their bullshit without expecting anything to change. This connects to the listener in a very personal way. It’s not difficult to feel and understand the things Piramid Scheme is presenting, and it can turn listening into a deeply emotional and introspective experience. Pay 2 Play, the final track on the album is a perfect example of this. The way the voices build on top of each other, getting more confused and desperate is absolutely brilliant in its presentation.

For fans of The Velvet Underground, Iggy Pop, The Cure, or Patti Smith. 

Piramid Scheme has a lot to offer everyone, and if you’re in the DC area try to go see a show! Piramid Scheme is playing Black Cat on 5/1, don’t miss out!


Listen here: http://www.piramidscheme.com

Piramid Scheme: Get Rich Quick Too


Although is an indie rock band from Frederick, MD. Their two song EP, Test,  came in under the radar last year and blew us away. It’s full of passion, pain and gives a voice to the feeling of being trapped and lost in the endless repetition of existence. Although evokes the emotional weight that bears down on us all from the uncertainty of our place in the universe.

Although  writes the kind of songs that stay with the listener,, one of this bands greatest strengths is their songwriting. Although can say more with two chords than some artists can say in an entire record. Sometimes it can seem like so much emphasis in popular music lately has been all about being happy and pushing all negativity and anger to the side. It’s as if the darker emotions don’t haunt the waking hours of our lives.  It’s refreshing when something as bold and sincere as this comes out. Although has made a remarkably personal, and they are set to leave an impact on the world around them.

As many quiet, pensive moments are in Test, Although has an explosive and commanding live energy. Fans of Built To Spill, Modest Mouse, The Pixies, should make a point to listen to this band.


Listen here: https://although.bandcamp.com/


Ryan Gibson: Self Titled

Ryan Gibson

Released January 15, 2018.

Ryan Gibson is an eloquent, somber exposition. The intricate guitar work beautifully laces melancholy melodies and cynical lyrics, with a rhythm section that subtly drives and underlines. Songs paint dark vignettes of bitterness and city streets, affected by a reverence for mystery and solitude. The lyrics sometimes contrast the pretty melodies that contain them with their unabashed spite, boldly calling out the state of a world that is cruel and often shallow. But even here there are glimmers of hope and innocence. It is the work of an artist with the depth and resiliency to “transcend hell,” and still have the playfulness to sail the sewer in a paper boat.

The beauty of this album is in its subtlety. Harmonies that bring great depth are sometimes barely audible, where simplicity of sound is an illusory device. Each songs is meticulously crafted; each part is envisioned, played, and layered with the precision made possible by being the work’s sole creative source. This is an album one could listen many times and still continue to uncover nuances.


Listen: https://ryangibson.bandcamp.com/album/ryan-gibson



Ryan Gibson: Self Titled

The Fun Boys: Too Fun


The Fun Boys are an art punk band from Frederick, MD. There’s a strong, almost theatrical aura about this band. Full of melodious sarcastic madness and indignation, there’s something so undeniable about the wild nature of this band. The Fun Boys live up to their namesake on their first release, Too Fun. There’s a volatile insanity in this music that gives it a life of its own. The Fun Boys have tapped into a violent desperation that can only come from years of boredom existentialism and apathy. The entire EP feels like a Victorian madhouse screaming in the mirror. The Fun boys are out to have a good time, and their infectious rhythms and wild performances will stick in the mind of their audiences for years to come. Here’s to The Fun Boys, for being wild and undaunted in the face of pure lunacy.


Listen: https://thefunboys.bandcamp.com/


The Fun Boys: Too Fun

Debrider: Widowed


Debrider is a dream pop band from Richmond, Virginia. Their second release, Widowed, is a powerful one–brutally honest, sincere, and brilliant in its mournful musings. The first track, Last Place, speaks to the difficult pain of relationships. Widowed conveys themes of emotional abuse, and stark reflections on the way people can destroy each other in love. It sings lament to beautiful dreams that could never be. The percussion is incredibly performed and structured, and the vocal harmonies are expertly crafted. The songs are lyrically driven, so reading along on band camp enhances the listening experience. Lia Pisa-Relli is an extremely talented songwriter who knows how to reach into the deepest parts of the human experience.

“Like A Man”, the final track on this EP is my personal favorite. It exemplifies everything that Debrider is: a stunning display of engaging composition and dark destruction. There are so many voices in this song; it’s an excellent way to close the short, memorable release. This fall, the air will be haunted by the echoes of Widowed, and I can’t wait to hear what Debrider does next!

“Who’s in better shape, Who still has a soul?” – Last Place

Listen here: https://debrider.bandcamp.com/

Debrider: Widowed

More AM Than FM: Oh, The Places I Have Been…


More AM than FM is a hard rock band from Washington, D.C. This is something many people had been waiting a very long time for. It’s lives up to and has met expectations and even exceeds them  with their innovative songwriting and forceful vocal work. Oh The Places I Have Been…is my favorite thing I have listened to in years. Anjalee is one of the best drummers I have ever seen live, and she absolutely annihilates every song on this EP. Mel and Selena have the kind of chemistry that comes with years of playing together and forming a mutual understanding. Listening to More AM than FM and playing many shows with them over the years, I am a really huge fan. Some of my favorite live songs are on this EP, it’s been such an honor to share the stage with them.

Pockets, the first track on OTPIHB used to get stuck in my head all the time after shows. It’s a catchy and powerful, but god damn that vocal work is impressive. There’s so much content in every song, it’s a pleasure to listen More AM Than FM show how brilliant and innovative they have become after so much time playing and writing together. The breakdowns and solos throughout are really good, and that’s to be expected. Selena is an absolute monster on the guitar.

Listen to this EP, and if you like it, show your friends. I love More Am Than FM, and can’t wait for them to come back to



Turns out despite the FAKE NEWS of hiatus they will play a benefit for Girls Rock DC on 14 October! If you’re in the area, do not miss out!


Listen here: https://moreamthanfm.bandcamp.com/

More AM Than FM: Oh, The Places I Have Been…

Elissa Janelle Velveteen: One Sunken Ship


Elissa Janelle Velveteen is a singer-songwriter from Philadelphia, Pennsylvania. This is all taken from a live performance, and the sound is very impressive for being live. There are no second chances on stage, but Elissa Janelle Velveteen doesn’t need them. Everything is clear and vibrant from start to finish. It feels like being there, with the audience interaction and a little bit of side banter. This music is brutally, painfully honest and emotional. Every song on this album has a message.

The opening track, Nothing Gold sets the tone for the rest of this performance. The melodious and dreamy verses give out to an explosive chorus. Elissa Janelle Velveteen has a strong voice and uses it to fully engage not only the listener, but the audience as well. In the quiet moments, there is an enraptured silence that seems to cover all who stop to listen.

Doctor Fuller brings the mood back down, but it’s incredible how much power she can give to a kazoo. It’s infectious and proves one thing for certain, given any instrument Elissa Janelle Velveteen will find a way to make it work. Kazoo magic aside, this song also covers drug dependency and the way people sometimes get lost in the haze of pharmaceuticals. With enough pills, anyone may try to take up the Kazoo.

Sugar & Salt, god damn. If there ever was going to be a pop song that could outshine every shitty overproduced pop song on the mainstream market, this would be it. As a multi-instrumentalist/kazoo connoisseur, EJV shows off her piano skills in this song. It’s a little about calling out the way people act dependent on their vices to go do the things they want, and the way the world actually functions. It’s not viable to sit on your ass eating sugar and salt, and the shallow nature of society. It’s easy to be placated by those simple pleasures and be completely enraptured by whisky and pot. At least it will make the day go by a little easier. It’s a really beautiful song, and might be the one that hits on the most personal level.

Take me home is a song about being isolated. Wanting to retreat from the world and find a quiet place to be free of the inconsequential bullshit of the everyday. There’s a lot of really nice percussive guitar and finger-picking.  1963 Chevy C10 is another great track, it’s a little more anger and resentment. It’s one of the best songs on this recording, just go listen to it. I don’t want to set up any expectations, and it will leave quite an impression.

There’s a lot more here to talk about, but like most things it’s better to go in a little blind. Elissa Janelle Velveteen is a talented, insightful singer-songwriter. Take the time to listen to this music, these hooks and melodies will stick with you long after the show is over. It feels somewhat like sitting right there at the bar. Grab a drink or a smoke and climb aboard One Sunken Ship. You’ve got a first class ticket.


Listen here: https://elissajanellevelveteen.bandcamp.com/releases


Elissa Janelle Velveteen: One Sunken Ship




Bottled up is a high energy, surf punk band from D.C. Brilliant and dreamy music with complex vocal and guitar layering over smooth beats. Bottled Up has a great flow, it’s difficult to listen to this EP the first time without immediately putting it on again.

There’s such depth and emotional weight to this music, on top of being exceptionally well written. It’s not so much about the individual songs themselves, it’s about the experience of listening to the EP in full. Bottled Up exists in a very special place. Somewhere between being overwhelmed with the beauty of existence and the crushing weight of the darkness in the world. The duality of good and bad, what we wish could be and what is. This may not at all have been what they were going for, but that’s what it brought out in me.

There is so much disconnection in the modern world, sometimes it’s nice to hear someone sing a song about their mom catching them using LSD. That kind of raw emotion is one of the best things about Bottled Up. They have brought out a lot of new ideas and ingenuity with this EP, and they are just as good live! Go see a show soon, or catch them on their upcoming tour!

Favorite track: Ovenhead

*Listen here!*